'This Lady Called Life' is a poignant love story on abuse & redemption [Pulse review]

'This Lady Called Life', Kayode Kasum's October's release once again depicts the director’s uncanny ability to spin stories about ordinary people.

The principal theme of 'This Lady Called Life' is probably too serious for it to be just another romantic film.

Child abuse take diverse forms but one scarcely highlighted is the form meted out by mothers or guardians. This menace disguised as discipline is undeniably relatable for at least a good number of Africans.

In 'This Lady Called Life', there are countless heart-warming moments to coo over but most striking is how it portrays some of its themes.

Written by Toluwani Obayan, the film follows the story of Aiye (Bisola Aiyeola), an aspiring chef and single mother on her journey to finding self and fulfilling dreams. Aiye's story is of ordinary people with simple goals, one reason film lovers will adore it.

Be fearless in the pursuit of what sets your soul on fire. Watch official trailer for our new film #ThisLadyCalledLife in cinemas October 9th. @filmoneng Starring @iambisola @iamefaiwara @realwaleojo @tinamba1 @jemimaosunde @thelotachukwu @molawaonajobi @paulutomi @michaeloejoor @asaahsamuel @chefcupid @miyonsea @o_immaculata @tukemorgan @uchechika_e Produced By @_abisolaa & @KayodeKasum Written by @toluwaniobayan Story by @KayodeKasum and @toluwaniobayan DOP @captaindegzy Editor @adiosolanke @kayodekasum

Away from Aiye's mouth-watering cuisine, the cast does a fine job at embodying their characters. The story often relied on the leads (Bisola Aiyeola and Efe Iwara) and their ability to communicate without words. These close shots captured Kasum's apt style of portraying the actors' emotions and intensifying the mood.

ALSO READ: 'This Lady Called Life' premieres in cinemas October 9

If you’re rolling your eyes, scurry along, please, as there is more praise singing to be done here.

A collaboration between Adeoluwa Owu and Kayode Kasum ('Oga Bolaji', 'Kambili') is visual bliss by most standards and the sheer beauty of the shots in 'This Lady Called Life' spoke volumes.

Evidently, some parts of the set were designed for aesthetic value, take the wooden wall at Aiye's parents or Lagos's infamous go-slow for instance. But, of course, this is typical of Kasum's creative style.

There is so much to say about this film and its cosy visuals, compelling story and outstanding performances It is one film you will regret not dragging the people who matter to the cinema to see.